21 Sept 2020: "After Fifty Years" by William Faulkner

 After Fifty Years

Her house is empty and her heart is old,
And filled with shades and echoes that deceive
No one save her, for still she tries to weave
With blind bent fingers, nets that cannot hold.
Once all men’s arms rose up to her, ‘tis told,
And hovered like white birds for her caress:
A crown she could have had to bind each tress
Of hair, and her sweet arms the Witches’ Gold.

Her mirrors know her witnesses, for there
She rose in dreams from other dreams that lent
Her softness as she stood, crowned with soft hair.
And with his bound heart and his young eyes bent
And blind, he feels her presence like shed scent,
Holding him body and life within its snare.

20 Sept 2020: "Grieve Not" by Walter Clyde Curry

 Grieve Not

Grieve not that winter masks the yet quick earth,
        Nor still that summer walks the hills no more;
        That fickle spring has doffed the plaid she wore
To swathe herself in napkins till rebirth.

These buddings, flowerings, are nothing worth;
        This ermine cloud stretched firm across the lakes
        Will presently be shattered into flakes;
Then, starveling world, be subject to my mirth.

I know that faithful swift mortality
        Subscribes to nothing longer than a day;
        All beauty signals imminent decay;
And painted wreckage cumbers land and sea.

I laugh to hear a sniveling wise one say,
“Some winnowed self escapes this reckless way.”


from The Fugitive, 1922

19 Sept 2020: "Photo of Melville; Back Room, Old Bookstore" by Stephen Sandy

 Photo of Melville; Back Room, Old Bookstore

I passed him by at first. From the photograph
Peered sepia eyes, blindered, unappeased
From a lair of brows and beard: one not amazed
At anything, as if to have looked enough
Then turned aside worked best for him—as if
Night vision was the discipline that eased
The weight of what he saw. A man’s gaze posed
Too long in the sun goes blank; comes to grief.
That face could be a focus for this back room,
For pack-rat papers strewn as if in rage,
Fond notes unread: each wary eye a phial
Unstopped to let huge Melville out, to calm
The sea of pages; Melville in older age:
The grown man’s sleepy defiance of denial.

Stephen Sandy, “Photo of Melville; Back Room, Old Bookstore” from The Thread. Copyright © 1998 by Stephen Sandy. Reprinted by permission of Louisiana State University Press.
Source: The Thread (Louisiana State University Press, 1998)

18 Sept 2020: "The Unquarried Blue of Those Depths Is All But Blinding" by Ashley Anna McHugh

 The Unquarried Blue of Those Depths Is All But Blinding

for John Fogleman


There are some things we just don’t talk about—
Not even in the morning, when we’re waking,
When your calloused fingers tentatively walk
The slope of my waist:
                                         How love’s a rust-worn boat,
Abandoned at the dock—and who could doubt
Waves lick their teeth, eyeing its hull? We’re taking
Our wreckage as a promise, so we don’t talk.
We wet the tired oars, tide drawing us out.
 
We understand there’s nothing to be said.
Both of us know the dangers of this sea,
Warned by the tide-worn driftwood of our pasts—.
But we’ve already strayed from the harbor. We thread
A slow wake though the water—then silently,
We start to row, and will for as long as this lasts.
Ashley Anna McHugh, “The Unquarried Blue of Those Depths Is All But Blinding” from Into These Knots. Copyright © 2010 by Ashley Anna McHugh. Reprinted by permission of Ivan R. Dee, Publisher.
Source: Into These Knots (Ivan R. Dee, 2010)

17 Sept 2020: "Fruit Don't Fall Far" by Elsa Von Freytag-Loringhoven

 Fruit Don’t Fall Far

TRANSLATED FROM THE GERMAN BY JILL ALEXANDER ESSBAUM
From Daddy sprung my inborn ribaldry.
His crudeness destined me to be the same.
A seedlet, flowered from a shitty heap,
I came, the crowning glory of his aim.

From Mother I inherited ennui,
The leg irons of the queendom I once rattled.
But I won’t let such chains imprison me.
And there is just no telling what this brat’ll...!

This marriage thing? We snub our nose at it.
What’s pearl turns piss, what’s classy breeds what’s smutty.
But like it? Lump it? Neither’s exigent.
And I’m the end result of all that fucking.

Do what you will! This world’s your oyster, Pet.
But be forewarned. The sea might drown you yet.

Source: Poetry (June 2011)

16 Sept 2020: "What to Say Upon Being Asked to Be Friends" by Julian Talamantez Brolaski

 What to Say Upon Being Asked to Be Friends

Why speak of hate, when I do bleed for love?
Not hate, my love, but Love doth bite my tongue
Till I taste stuff that makes my rhyming rough
So flatter I my fever for the one
For whom I inly mourn, though seem to shun.
A rose is arrows is eros, so what
If I confuse the shade that I’ve become
With winedark substance in a lover’s cup?
But stop my tonguely wound, I’ve bled enough.
If I be fair, or false, or freaked with fear
If I my tongue in lockèd box immure
Blame not me, for I am sick with love.
     Yet would I be your friend most willingly
     Since friendship would infect me killingly.

Julian T. Brolaski, "What to Say Upon Being Asked to Be Friends" from Advice for Lovers, City Lights Spotlight No. 7. Copyright © 2012 by Julian T. Brolaski.  Reprinted by permission of City Lights Books.
Source: Advice for Lovers (City Lights Books, 2012)

15 Sept 2020: "The Hurt Sonnet" by Casey Thayer

 The Hurt Sonnet

Dark days when I awaken so I slump
                             back to the swamp of his armpit, a whit

from the arachnid he inked to the stump
                that’s left. So close to the vestige of it,

                                            the danger he’s a reliquary of:
               tattooed noose to venerate the fist

                            of a slug buried still in his butt above
a white cross for the men he didn’t miss.

               If only I could strip off the black map
I sleep against and be his liniment,

                            gloss over the explosion, the mishap
                                           phantom he feels in a forearm itch.

               He won’t leave the long tale his tattoos read
                           for me, so I amend the story.

Source: Poetry (November 2012)

14 Sept 2020: "The Craftsman" by Marcus B. Christian

 The Craftsman

I ply with all the cunning of my art
This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;
And there must be no flouting of the laws
Of beauty—as the artist understands.
 
Through passion, yearnings infinite—yet dumb—
I lift you from the depths of my own mind
And gild you with my soul’s white heat to plumb
The souls of future men. I leave behind
This thing that in return this solace gives:
“He who creates true beauty ever lives.”

13 Sept 2020: "As Is" by Nicholas Friedman

 As Is

Just north of town, a quaint Sargasso Sea
for bric-a-brac: the barn, itself antique,
spills over with a grab-bag panoply
of outworn stock revalued as “unique.”
Typewriters tall as headstones fill the loft
where they’ve been ricked away like sacks of grain;
a coffer yawns the must of oak—gone soft—
when one man, squinting, lifts the lid to feign
intrigue. Nearby, his wife surveys the smalls:
art deco bangles bright as harpsichords,
a glut of iron trivets, Christmas balls,
Depression glass and warping Ouija boards.
One man’s junk is another’s all the same.
They don’t buy much, but that’s not why they came.

12 Sept 2020: "Hall of Records" by Peter Spagnuolo

 Hall of Records

There’s a clever thing, stabs at her hand
on every corner now, revising the screed.
Watch her huff at the tiny screens that send
her chimpish copy up the line, to speed
the raising of the giddy, pixelled hall:
cornerless, mirror-tiled, the gorging sphere
a fast-receding shell enclosing all
we say or see, never to disappear,
bigger with each second, and the next,
its facets auto-replicant, until
the Record of  what was — each fingered text
and pic, the starry shards the hours distill —
impounds what is, slaves us in its spell,
sorting the diamonds in our dazzling cell

11 Sept 2020: "Sonnet 19: When I consider how my light is spent" by John Milton

 Sonnet 19: When I consider how my light is spent

When I consider how my light is spent,
   Ere half my days, in this dark world and wide,
   And that one Talent which is death to hide
   Lodged with me useless, though my Soul more bent
To serve therewith my Maker, and present
   My true account, lest he returning chide;
   “Doth God exact day-labour, light denied?”
   I fondly ask. But patience, to prevent
That murmur, soon replies, “God doth not need
   Either man’s work or his own gifts; who best
   Bear his mild yoke, they serve him best. His state
Is Kingly. Thousands at his bidding speed
   And post o’er Land and Ocean without rest:
   They also serve who only stand and wait.”

10 Sep 2020: "Sonnet" By Anne Marie Rooney

Glitz girls in the spackle. Teen climbed
The boughed over stair. Stole lace to begin again
In darkness, a fingering salt. Print
Delighted the line to lined
Pink. Was doll-sized, weighted out. Was flat-reaped sigh
And dollar bin plaid. Fridays we stayed in
Till in coughed through with dry heat. Men
Grew approximate in their longing for something to mine.
Sippy cup of burn, acrylic camel, and melting kohl
Was a hiding past boyish. We shone with miraculous
Droll. Don’t try to kiss me, she was always saying. Older
Than a watch, the girl who pays starch to hush
Meat. Gargantuan between grown and still us,
I leave her orange street, my wanting ode

9 Sep 2020: "martyrdom" By Andrew McMillan

tonight      I started walking back to you father
it was meant to be a stroll but then I started
walking faster      father      I started chanting all
the names of all the men I ever went to bed
with      father      my thighs were burning and my feet
were heavy with blood but I kept the pace and chants
of names up      father      listed them to fence posts
and the trees and didn’t stop and started getting
younger      father      and walked all night till I was home
just a spark in your groin again and told you not
to bring me back to life      told you I repented
every name and had freed them of me      father

8 Sep 2020: "Sonnet: The History of Puerto Rico" By Jack Agüeros

Puerto Rico was created when the pumpkin on top of
The turtle burst and its teeming waters poured out
With all mankind and beastkind riding on the waves
Until the water drained leaving a tropical paradise.
 
Puerto Rico was stumbled on by lost vampires bearing
Crucifix in one hand, arquebus in the other, sucking
The veins of land and men, tossing the pulp into the
Compost heap which they used as the foundation for
Their fortifications and other vainglorious temples.
 
Puerto Rico was arrested just as it broke out of the
Spanish jail and, renamed a trusty, it was put in an
American cell. When the prisoner hollered, "Yankee, Go
Home," Puerto Rico was referred to the United Nations.
 
Puerto Rico, to get to paradise now, you have to ride blood.

7 Sep 2020: "Sonnet for 1950" By Jack Agüeros

All the kids came rumbling down the wood tenement
Shaky stairs, sneakers slapping against the worn
Tin tread edges, downhall came Pepo, Chino, Cojo,
Curly bursting from the door like shells exploding
Singing "I'm a Rican Doodle Dandy" and "What shall
We be today, Doctors or Junkies, Soldiers or Winos?"
 
Pepo put a milk crate on a Spanish Harlem johnny pump
And drops opened like paratroopers carrying war news.
 
Then Urban Renewal attacked the pump, cleared the slums
Blamed Puerto Rico and dispersed the Spies, blasting
Them into the Army or Anywhere Avenue in the Bronx.
 
And nobody, but nobody, came back from that summer.
 
Just as Korea was death in service to the warring Nation
The Bronx was death in service to the negligent Nation

6 Sep 2020: "Sonnet (full-court press)" By Olena Kalytiak Davis

having studied swarthmore charts and mirrors,
fashion magazines, foucault, bloom, bad light,
whereof—hereof—had not become clearer;
what vision to present as first self-sight.
 
self quit; put on boots and a see-through dress,
some thought it was ironic "self-object-
ification", said they were not impressed.
some guessed that "honesty" was self's subject,
 
were put off nonetheless, self-asked: to sleep
with me? who would? self flat, self one inch deep,
self-glimpsed not much in that giant mirror:
innocence -credulity, self doth protest!
 
hey! presumptuous interlocutor!
pissed off, thwarted, played, and soon, undressed!

5 Sep 2020: "The Boley Rodeo" By Marilyn Nelson

The Boley Rodeo is an all black rodeo. The poet wrote this after attending The Boley Rodeo for the first time. Listen to the beginning of this podcast episode for her experience, https://www.poetryfoundation.org/podcasts/149598/marilyn-nelson-reads-the-boley-rodeo . Below is her poem. 

"The Boley Rodeo" By Marilyn Nelson

A collective family myth
passed down across generations
takes on the polished gleam of truth,
and memories become legend.

The legend of black sod-busters
on a piece of red soil they own
in a township of black ranchers.
Their legendary rodeo.

grand entry

Two Stars and Stripes flutter into
the arena, carried by two
men in jeans, red shirts, white Stetsons.
Guiding their horses with left hands,
holding the flagstaffs in their rights,
their backs straight and tall, their faces,
their chestnut faces, beautiful
in the light of the setting sun.

After them, two by two,
banners waving, hooves raising dust,
ride the Horse People of Boley,
a varicolored promenade.
They canter once around the ring,
then they circle into the sky.

mutton busting

In the cluster of five-year-old
contenders wearing life jackets
and bicycle helmets, paper
numbers safety-pinned to their backs,
you line up one by one for a turn
to hang on tight with your legs squeezed
at the sheep’s broad middle, fingers
holding handfuls of deep, warm wool
as the sheep destiny presents
runs you out to cheering applause.
Whether you’ll fall on top of it,
or it on you, you won’t fall far.
You have no front teeth anyway,
and a brown clown gone pick you up.

bareback riding

This horse was bred and born to buck.
He’s a good horse, he’ll give you points.
Gloved hand in the rigging’s handle,
bare brown hand waving in the air,
you whir your spurs at his shoulders
as he leaps, twists, and jolts your bones.
Four seconds or four hundred years.
But if you can get up and slap
the dust off your jeans with your hat,
the future’s eyes, looking at you,
will fill with forevering light:
light that will make generations
of proud brown people remember
the Black Horse People of Boley.

bulldogging

In truth there’s seldom a reason
for a man to wrestle a steer,
unless he’s a real ranch cowboy
dealing with ornery power.
Maybe, while rounding up the herd,
he bumps heads with testosterone,
and it’s testosterone-vs.-
testosterone. Bill Pickett learned,
watching dogs on a Boley ranch,
that sometimes you’ve got to bulldog
a hardhead with a kiss of pain.
Today, you slide from horse onto
the fleeing steer, grab his horns, pull
five hundred pounds of muscle down.

team roping, calf roping, steer roping

Roping always involves a team,
whether it’s two men or women
or one human and one smart horse.
The aim: to bring down and hog-tie
a big scared baby of a calf
or a full-grown and pissed-off steer.
You gallop out swinging your loop
with one hand, the other holding
the slack and the unneeded reins.
You down him with a careful toss,
tie three of his hooves together,
step back with wide arms and a grin.
A rope isn’t always a noose:
ropes in brown hands can be lassos.

saddle bronc riding

It’s not the leather riding gloves
and it’s not the fringed buckskin chaps,
not the worn-in and dusty boots,
not the spurs’ blunted silver stars,
not the 10x wide-brimmed straw hat
(both winged helmet and regal crown):
it’s not clothes that make the cowboy.
It’s something behind a bronzed face,
in the level gaze from dark eyes,
and, of course, it’s heart that puts you,
the reins in one hand, one hand free,
waving with the horse’s rhythm,
your heels spurring from neck to flank,
on this bronc called America.

barrel racing

Thunder explodes out of the chute.
Mane and tail whip in the speed wind,
agile hooves pound a swift tempo
circling around the first barrel.
One hand grips the horn, the other
communicates with the taut reins,
though your thighs give the best guidance,
telling your horse to maneuver
in circles that hug the barrels.
Three barrels, a tight cloverleaf
you gallop through with one joined will.
This contest pits you and your horse
against the clock and your best time.
Sister, your dreadlocks are flying!

pony express

Before telegraph, news traveled
from mouth to ear, from hand to hand.
News arrived old. From sea to sea
took weeks, unless carried by boys
stationed along the stagecoach route
to race a cross-country relay.
Your pulse gallops toward the handoff,
when your teammate takes the baton
and the noise and flurry go on
without you. Your leg run, you and
your horse (your partner, your friend) stand
encompassed in adrenalin,
watching, as the Ancestors must,
unable to help, but cheering.

tennessee walker

Let’s hear it for the barrel men,
for the bullfighters, for the clowns,
for the men on the side ready
to run toward trouble. Give it up
for the musical director
(thanks for the hip-hop, bro!). And for
the announcer and all the folks
cheering in the stands. That baby
wearing a tiny cowboy hat.
That man the same black as his horse,
in that white suit and fedora.
His Tennessee Walker’s proud gait
as he nods to his own rhythm,
tail an ebony waterfall.

bull riding

Boley bulls are bred for bucking,
bred to be mean, to be “Bad Boys.”
They teach you to sit strong, hold on,
and with one hand reach for the sky.
After riding a Boley bull
a cowboy thinks, Hell, I’ve been there.
I’ve held the bull-rope, raked my spurs,
while that bad boy tried to kill me.
A ton of Brahma seeing red
gives you a whole new perspective,
a who-you-think-you-talking-to
fearlessness. You’ve seen the bull’s eye:
you know you can’t die more than once.
You’ve lived through eight Mississippis.