31 Oct: "Making a Fist" by Naomi Shihab Nye

We forget that we are all dead men conversing with dead men.

                                                                  —Jorge Luis Borges

For the first time, on the road north of Tampico,

I felt the life sliding out of me,

a drum in the desert, harder and harder to hear.

I was seven, I lay in the car

watching palm trees swirl a sickening pattern past the glass.

My stomach was a melon split wide inside my skin.

“How do you know if you are going to die?”

I begged my mother.

We had been traveling for days.

With strange confidence she answered,

“When you can no longer make a fist.”

Years later I smile to think of that journey,

the borders we must cross separately,

stamped with our unanswerable woes.

I who did not die, who am still living,

still lying in the backseat behind all my questions,

clenching and opening one small hand.

30 Oct: "Sonnet" by James Weldon Johnson

My heart be brave, and do not falter so,   

Nor utter more that deep, despairing wail.   

Thy way is very dark and drear I know,   

But do not let thy strength and courage fail;   

For certain as the raven-winged night

Is followed by the bright and blushing morn,   

Thy coming morrow will be clear and bright;   

’Tis darkest when the night is furthest worn.   

Look up, and out, beyond, surrounding clouds,   

And do not in thine own gross darkness grope,   

Rise up, and casting off thy hind’ring shrouds,   

Cling thou to this, and ever inspiring hope:

   Tho’ thick the battle and tho’ fierce the fight,

   There is a power making for the right.

29 Oct: "Where the Sidewalk Ends" by Shel Silverstein

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.     

28 Oct: "Learning to Read" by Frances Ellen Watkins Harper

Very soon the Yankee teachers

   Came down and set up school;

But, oh! how the Rebs did hate it,—

   It was agin’ their rule.

Our masters always tried to hide

   Book learning from our eyes;

Knowledge did’nt agree with slavery—

   ’Twould make us all too wise.

But some of us would try to steal

   A little from the book.

And put the words together,

   And learn by hook or crook.

I remember Uncle Caldwell,

   Who took pot liquor fat

And greased the pages of his book,

   And hid it in his hat.

And had his master ever seen

   The leaves upon his head,

He’d have thought them greasy papers,

   But nothing to be read.

And there was Mr. Turner’s Ben,

   Who heard the children spell,

And picked the words right up by heart,

   And learned to read ’em well.

Well, the Northern folks kept sending

   The Yankee teachers down;

And they stood right up and helped us,

   Though Rebs did sneer and frown.

And I longed to read my Bible,

   For precious words it said;

But when I begun to learn it,

   Folks just shook their heads,

And said there is no use trying,

   Oh! Chloe, you’re too late;

But as I was rising sixty,

   I had no time to wait.

So I got a pair of glasses,

   And straight to work I went,

And never stopped till I could read

   The hymns and Testament.

Then I got a little cabin

   A place to call my own—

And I felt independent

   As the queen upon her throne.

27 Oct: "At the Edge of the World"

26 Oct: "Morning Song"

25 Oct: "What the Living Do" by Marie Howe

Johnny, the kitchen sink has been clogged for days,
some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the
crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the
everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the
sunlight pours through

the open living-room windows because the heat’s on too high
in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the
street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday,
hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee
down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush:
This is it.
Parking. Slamming the car door shut in the cold. What you
called that yearning.

What you finally gave up. We want the spring to come and the
winter to pass. We want
whoever to call or not call, a letter, a kiss—we want more and
more and then more of it.

But there are moments, walking, when I catch a glimpse of
myself in the window glass,
say, the window of the corner video store, and I’m gripped by a
cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat
that I’m speechless:
I am living. I remember you.

24 Oct: "Kindness" by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

23 Oct: "How To Eat a Poem" by Eve Merriam

Don't be polite.
Bite in.
Pick it up with your fingers and lick the juice that
           may run down your chin.
It is ready and ripe now, whenever you are.

You do not need a knife or fork or spoon
or plate or napkin or tablecloth.

For there is no core
or stem
or rind
or pit
or seed
or skin
to throw away.


-Eve Merriam

22 Oct: "I Am Offering This Poem" by Jimmy Santiago Baca

I am offering this poem to you,

since I have nothing else to give.

Keep it like a warm coat

when winter comes to cover you,

or like a pair of thick socks

the cold cannot bite through,

                         I love you,

I have nothing else to give you,

so it is a pot full of yellow corn

to warm your belly in winter,

it is a scarf for your head, to wear

over your hair, to tie up around your face,

                         I love you,

Keep it, treasure this as you would

if you were lost, needing direction,

in the wilderness life becomes when mature;

and in the corner of your drawer,

tucked away like a cabin or hogan

in dense trees, come knocking,

and I will answer, give you directions,

and let you warm yourself by this fire,

rest by this fire, and make you feel safe

                         I love you,

It’s all I have to give,

and all anyone needs to live,

and to go on living inside,

when the world outside

no longer cares if you live or die;

remember,

                         I love you.