the back wings
of the
hospital where
nothing
will grow lie
cinders
in which shine
the broken
pieces of a green
bottle
25 Feb 2019: "A Man Said to the Universe" by Stephen Crane
A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
23 Feb 2019: "I should not dare to leave my friend" by Emily Dickinson
I should not dare to leave my friend,
Because—because if he should die
While I was gone—and I—too late—
Should reach the Heart that wanted me—
If I should disappoint the eyes
That hunted—hunted so—to see—
And could not bear to shut until
They ‘noticed’ me—they noticed me—
If I should stab the patient faith
So sure I’d come—so sure I’d come—
It listening—listening—went to sleep—
Telling my tardy name—
My Heart would wish it broke before—
Since breaking then—since breaking then—
Were useless as next morning’s sun—
Where midnight frosts—had lain!
Because—because if he should die
While I was gone—and I—too late—
Should reach the Heart that wanted me—
If I should disappoint the eyes
That hunted—hunted so—to see—
And could not bear to shut until
They ‘noticed’ me—they noticed me—
If I should stab the patient faith
So sure I’d come—so sure I’d come—
It listening—listening—went to sleep—
Telling my tardy name—
My Heart would wish it broke before—
Since breaking then—since breaking then—
Were useless as next morning’s sun—
Where midnight frosts—had lain!
22 Feb 2019: "Love and Friendship" by Emily Brontë
Love is like the wild rose-briar,
Friendship like the holly-tree—
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
Friendship like the holly-tree—
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
21 Feb 2019: "To My Excellent Lucasia, on Our Friendship" by Katherine Philips
I did not live until this time
Crowned my felicity,
When I could say without a crime,
I am not thine, but thee.
This carcass breathed, and walked, and slept,
So that the world believed
There was a soul the motions kept;
But they were all deceived.
For as a watch by art is wound
To motion, such was mine:
But never had Orinda found
A soul till she found thine;
Which now inspires, cures and supplies,
And guides my darkened breast:
For thou art all that I can prize,
My joy, my life, my rest.
No bridegroom’s nor crown-conqueror’s mirth
To mine compared can be:
They have but pieces of the earth,
I’ve all the world in thee.
Then let our flames still light and shine,
And no false fear control,
As innocent as our design,
Immortal as our soul.
20 Feb 2019: "The Moon was but a Chin of Gold" by Emily Dickinson
The Moon was but a Chin of Gold
A Night or two ago—
And now she turns Her perfect Face
Upon the World below—
Her Forehead is of Amplest Blonde—
Her Cheek—a Beryl hewn—
Her Eye unto the Summer Dew
The likest I have known—
Her Lips of Amber never part—
But what must be the smile
Upon Her Friend she could confer
Were such Her Silver Will—
And what a privilege to be
But the remotest Star—
For Certainty She take Her Way
Beside Your Palace Door—
Her Bonnet is the Firmament—
The Universe—Her Shoe—
The Stars—the Trinkets at Her Belt—
Her Dimities—of Blue—
A Night or two ago—
And now she turns Her perfect Face
Upon the World below—
Her Forehead is of Amplest Blonde—
Her Cheek—a Beryl hewn—
Her Eye unto the Summer Dew
The likest I have known—
Her Lips of Amber never part—
But what must be the smile
Upon Her Friend she could confer
Were such Her Silver Will—
And what a privilege to be
But the remotest Star—
For Certainty She take Her Way
Beside Your Palace Door—
Her Bonnet is the Firmament—
The Universe—Her Shoe—
The Stars—the Trinkets at Her Belt—
Her Dimities—of Blue—
19 Feb 2019: "A Hymn to the Moon" by Lady Mary Wortley Montagu
Written in July, in an arbour
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
18 Feb 2019: "The Return" by Ezra Pound
See, they return; ah, see the tentative
Movements, and the slow feet,
The trouble in the pace and the uncertain
Wavering!
See, they return, one, and by one,
With fear, as half-awakened;
As if the snow should hesitate
And murmur in the wind,
and half turn back;
These were the “Wing’d-with-Awe,"
inviolable.
Gods of the wingèd shoe!
With them the silver hounds,
sniffing the trace of air!
Haie! Haie!
These were the swift to harry;
These the keen-scented;
These were the souls of blood.
Slow on the leash,
pallid the leash-men!
16 Feb 2019: "In a Station of the Metro" by Ezra Pound
| In a Station of the Metro |
| THE apparition of these faces in the crowd; | |
| Petals on a wet, black bough. |
11 Feb 2019: “June 11” by David Lehman
It's my birthday I've got an empty stomach and the desire to be lazy in the hammock and maybe go for a cool swim on a hot day with the trombone in Sinatra's "I've Got You Under My Skin" in my head and then to break for lunch a corned-beef sandwich and Pepsi with plenty of ice cubes unlike France where they put one measly ice cube in your expensive Coke and when you ask for more they argue with you they say this way you get more Coke for the money showing they completely misunderstand the nature of American soft drinks which are an excuse for ice cubes still I wouldn't mind being there for a couple of days Philip Larkin's attitude toward China comes to mind when asked if he'd like to go there he said yes if he could return the same day
10 Feb 2019: "Gratitude to Old Teachers" by Robert Bly
When we stride or stroll across the frozen lake, We place our feet where they have never been. We walk upon the unwalked. But we are uneasy. Who is down there but our old teachers? Water that once could take no human weight- We were students then-holds up our feet, And goes on ahead of us for a mile. Beneath us the teachers, and around us the stillness.
9 Feb 2019: "Old Men Playing Basketball" by B. H. Fairchild
The heavy bodies lunge, the broken language
of fake and drive, glamorous jump shot
slowed to a stutter. Their gestures, in love
again with the pure geometry of curves,
rise toward the ball, falter, and fall away.
On the boards their hands and fingertips
tremble in tense little prayers of reach
and balance. Then, the grind of bone
and socket, the caught breath, the sigh,
the grunt of the body laboring to give
birth to itself. In their toiling and grand
sweeps, I wonder, do they still make love
to their wives, kissing the undersides
of their wrists, dancing the old soft-shoe
of desire? And on the long walk home
from the VFW, do they still sing
to the drunken moon? Stands full, clock
moving, the one in army fatigues
and houseshoes says to himself, pick and roll,
and the phrase sounds musical as ever,
radio crooning songs of love after the game,
the girl leaning back in the Chevy’s front seat
as her raven hair flames in the shuddering
light of the outdoor movie, and now he drives,
gliding toward the net. A glass wand
of autumn light breaks over the backboard.
Boys rise up in old men, wings begin to sprout
at their backs. The ball turns in the darkening air.
8 Feb 2019: "Smoking" by Elton Glaser
I like the cool and heft of it, dull metal on the palm, And the click, the hiss, the spark fuming into flame, Boldface of fire, the rage and sway of it, raw blue at the base And a slope of gold, a touch to the packed tobacco, the tip Turned red as a warning light, blown brighter by the breath, The pull and the pump of it, and the paper's white Smoothed now to ash as the smoke draws back, drawn down To the black crust of lungs, tar and poisons in the pink, And the blood sorting it out, veins tight and the heart slow, The push and wheeze of it, a sweep of plumes in the air Like a shako of horses dragging a hearse through the late centennium, London, at the end of December, in the dark and fog.
7 Fen 2019: "Video Blues" by Mary Jo Salter
My husband has a crush on Myrna Loy,
and likes to rent her movies, for a treat.
It makes some evenings harder to enjoy.
The list of actresses who might employ
him as their slave is too long to repeat.
(My husband has a crush on Myrna Loy,
Carole Lombard, Paulette Goddard, coy
Jean Arthur with that voice as dry as wheat ...)
It makes some evenings harder to enjoy.
Does he confess all this just to annoy
a loyal spouse? I know I can’t compete.
My husband has a crush on Myrna Loy.
And can’t a woman have her dreamboats? Boy,
I wouldn’t say my life is incomplete,
but some evening I could certainly enjoy
two hours with Cary Grant as my own toy.
I guess, though, we were destined not to meet.
My husband has a crush on Myrna Loy,
which makes some evenings harder to enjoy.
6 Feb 2019: "The Shadow on the Stone" by Thomas Hardy
I went by the Druid stone
That broods in the garden white and lone,
And I stopped and looked at the shifting shadows
That at some moments fall thereon
From the tree hard by with a rhythmic swing,
And they shaped in my imagining
To the shade that a well-known head and shoulders
Threw there when she was gardening.
I thought her behind my back,
Yea, her I long had learned to lack,
And I said: ‘I am sure you are standing behind me,
Though how do you get into this old track?’
And there was no sound but the fall of a leaf
As a sad response; and to keep down grief
I would not turn my head to discover
That there was nothing in my belief.
Yet I wanted to look and see
That nobody stood at the back of me;
But I thought once more: ‘Nay, I’ll not unvision
A shape which, somehow, there may be.’
So I went on softly from the glade,
And left her behind me throwing her shade,
As she were indeed an apparition—
My head unturned lest my dream should fade.
5 Feb 2019: "Queen Herod" by Carol Ann Duffy
Ice in the trees.
Three Queens at the Palace gates,
dressed in furs, accented;
their several sweating, panting beasts
laden for a long hard trek,
following the guide and boy to the stables;
courteous, confident; oh, and with gifts
for the King and Queen of here – Herod, me –
in exchange for sunken baths, curtained beds,
fruit, the best of meat and wine,
dancers, music, talk –
as it turned out to be,
with everyone fast asleep, save me,
those vivid three –
till bitter dawn.
They were wise. Older than I.
They knew what they knew.
Once drunken Herod’s head went back,
they asked to see her,
fast asleep in her crib,
my little child.
Silver and gold,
the loose change of herself,
glowed in the soft bowl of her face.
Grace, said the tallest Queen.
Strength, said the Queen with the hennaed hands.
The black Queen
made a tiny starfish of my daughter’s fist,
said Happiness; then stared at me,
Queen to Queen, with insolent lust.
Watch, they said, for a star in the east –
a new star
pierced through the night like a nail.
It means he’s here, alive, newborn.
Who? Him. The Husband. Hero. Hunk.
The Boy Next Door. The Paramour. The Je t'adore.
The Marrying Kind. Adulterer. Bigamist.
The Wolf. The Rip. The Rake. The Rat.
The Heartbreaker. The Ladykiller. Mr Right.
My baby stirred,
suckled the empty air for milk,
till I knelt
and the black Queen scooped out my breast,
the left, guiding it down
to the infant’s mouth.
No man, I swore,
will make her shed one tear.
A peacock screamed outside.
Afterwards, it seemed like a dream.
The pungent camels
kneeling in the snow,
the guide’s rough shout
as he clapped his leather gloves,
hawked, spat, snatched
the smoky jug of mead
from the chittering maid –
she was twelve, thirteen.
I watched each turbaned Queen
rise like a god on the back of her beast.
And splayed that night
below Herod’s fusty bulk,
I saw the fierce eyes of the black Queen
flash again, felt her urgent warnings scald
my ear. Watch for a star, a star.
It means he’s here…
Some swaggering lad to break her heart,
some wincing Prince to take her name away
and give a ring, a nothing, a nought in gold.
I sent for the Chief of Staff,
a mountain man
with a red scar, like a tick
to the mean stare of his eye.
Take men and horses,
knives, swords, cutlasses.
Ride East from here
and kill each mother’s son.
Do it. Spare not one.
The midnight hour. The chattering stars
shivered in a nervous sky.
Orion to the South
who knew the score, who’d seen,
not seen, then seen it all before;
the yapping Dog Star at his heels.
High up in the West
a studded, diamond W.
And then, as prophesied,
blatant, brazen, buoyant in the East –
and blue –
The Boyfriend’s Star.
We do our best,
we Queens, we mothers,
mothers of Queens.
We wade through blood
for our sleeping girls.
We have daggers for eyes.
Behind our lullabies,
the hooves of terrible horses
thunder and drum.
Three Queens at the Palace gates,
dressed in furs, accented;
their several sweating, panting beasts
laden for a long hard trek,
following the guide and boy to the stables;
courteous, confident; oh, and with gifts
for the King and Queen of here – Herod, me –
in exchange for sunken baths, curtained beds,
fruit, the best of meat and wine,
dancers, music, talk –
as it turned out to be,
with everyone fast asleep, save me,
those vivid three –
till bitter dawn.
They were wise. Older than I.
They knew what they knew.
Once drunken Herod’s head went back,
they asked to see her,
fast asleep in her crib,
my little child.
Silver and gold,
the loose change of herself,
glowed in the soft bowl of her face.
Grace, said the tallest Queen.
Strength, said the Queen with the hennaed hands.
The black Queen
made a tiny starfish of my daughter’s fist,
said Happiness; then stared at me,
Queen to Queen, with insolent lust.
Watch, they said, for a star in the east –
a new star
pierced through the night like a nail.
It means he’s here, alive, newborn.
Who? Him. The Husband. Hero. Hunk.
The Boy Next Door. The Paramour. The Je t'adore.
The Marrying Kind. Adulterer. Bigamist.
The Wolf. The Rip. The Rake. The Rat.
The Heartbreaker. The Ladykiller. Mr Right.
My baby stirred,
suckled the empty air for milk,
till I knelt
and the black Queen scooped out my breast,
the left, guiding it down
to the infant’s mouth.
No man, I swore,
will make her shed one tear.
A peacock screamed outside.
Afterwards, it seemed like a dream.
The pungent camels
kneeling in the snow,
the guide’s rough shout
as he clapped his leather gloves,
hawked, spat, snatched
the smoky jug of mead
from the chittering maid –
she was twelve, thirteen.
I watched each turbaned Queen
rise like a god on the back of her beast.
And splayed that night
below Herod’s fusty bulk,
I saw the fierce eyes of the black Queen
flash again, felt her urgent warnings scald
my ear. Watch for a star, a star.
It means he’s here…
Some swaggering lad to break her heart,
some wincing Prince to take her name away
and give a ring, a nothing, a nought in gold.
I sent for the Chief of Staff,
a mountain man
with a red scar, like a tick
to the mean stare of his eye.
Take men and horses,
knives, swords, cutlasses.
Ride East from here
and kill each mother’s son.
Do it. Spare not one.
The midnight hour. The chattering stars
shivered in a nervous sky.
Orion to the South
who knew the score, who’d seen,
not seen, then seen it all before;
the yapping Dog Star at his heels.
High up in the West
a studded, diamond W.
And then, as prophesied,
blatant, brazen, buoyant in the East –
and blue –
The Boyfriend’s Star.
We do our best,
we Queens, we mothers,
mothers of Queens.
We wade through blood
for our sleeping girls.
We have daggers for eyes.
Behind our lullabies,
the hooves of terrible horses
thunder and drum.
4 Feb 2019: "Watching the Mayan Women" by Luisa Villani
I hang the window inside out
like a shirt drying in a breeze
and the arms that are missing come to me
Yes, it's a song, one I don't quite comprehend
although I do understand the laundry.
White ash and rainwater, a method
my aunt taught me, but I'll never know
how she learned it in Brooklyn. Her mind
has gone to seed, blown by a stroke,
and that dandelion puff called memory
has flown far from her eyes. Some things remain.
Procedures. Methods. If you burn
a fire all day, feeding it snapped
branches and newspapers—
the faces pressed against the print
fading into flames—you end up
with a barrel of white ash. If
you take that same barrel and fill it
with rain, let it sit for a day,
you will have water
that can bring brightness to anything.
If you take that water,
and in it soak your husband's shirts,
he'll pause at dawn when he puts one on,
its softness like a haunting afterthought.
And if he works all day in the selva,
he'll divine his way home
in shirtsleeves aglow with torchlight.
like a shirt drying in a breeze
and the arms that are missing come to me
Yes, it's a song, one I don't quite comprehend
although I do understand the laundry.
White ash and rainwater, a method
my aunt taught me, but I'll never know
how she learned it in Brooklyn. Her mind
has gone to seed, blown by a stroke,
and that dandelion puff called memory
has flown far from her eyes. Some things remain.
Procedures. Methods. If you burn
a fire all day, feeding it snapped
branches and newspapers—
the faces pressed against the print
fading into flames—you end up
with a barrel of white ash. If
you take that same barrel and fill it
with rain, let it sit for a day,
you will have water
that can bring brightness to anything.
If you take that water,
and in it soak your husband's shirts,
he'll pause at dawn when he puts one on,
its softness like a haunting afterthought.
And if he works all day in the selva,
he'll divine his way home
in shirtsleeves aglow with torchlight.
3 Feb 2019: "Song Beside a Sippy Cup" by Jenny Factor
In the never truly ever
truly dark dark night, ever
blinds-zipped, slat-cut,
dark-parked light,
you (late) touch my toes
with your broad flat own
horny-nailed cold toes.
Clock-tock, wake-shock.
In the ever truly never
truly long long night, our
little snoring-snarling
wild-child mild-child
starling-darling wakes every
two, three (you-sleep) hours,
in the never truly ever
truly lawn brawn fawn dawn.
truly dark dark night, ever
blinds-zipped, slat-cut,
dark-parked light,
you (late) touch my toes
with your broad flat own
horny-nailed cold toes.
Clock-tock, wake-shock.
In the ever truly never
truly long long night, our
little snoring-snarling
wild-child mild-child
starling-darling wakes every
two, three (you-sleep) hours,
in the never truly ever
truly lawn brawn fawn dawn.
2 Feb 2019: "On Swimming" by Adam Zagajewski
The rivers of this country are sweet
as a troubadour’s song,
the heavy sun wanders westward
on yellow circus wagons.
Little village churches
hold a fabric of silence so fine
and old that even a breath
could tear it.
I love to swim in the sea, which keeps
talking to itself
in the monotone of a vagabond
who no longer recalls
exactly how long he’s been on the road.
Swimming is like a prayer:
palms join and part,
join and part, almost without end.
as a troubadour’s song,
the heavy sun wanders westward
on yellow circus wagons.
Little village churches
hold a fabric of silence so fine
and old that even a breath
could tear it.
I love to swim in the sea, which keeps
talking to itself
in the monotone of a vagabond
who no longer recalls
exactly how long he’s been on the road.
Swimming is like a prayer:
palms join and part,
join and part, almost without end.
1 Feb 2019: "The Caterpillar" by Kendrick Lamar
This poem is part of a Lamar song where he has a imaginary conversation with Tupac Shakur. This poem is part of the conversation. The below italicized line is how Lamar introduces the poem. Check out The Rose that Grew from Concrete for a great paired reading.
It’s actually something a good friend had wrote describing my world it says
It’s actually something a good friend had wrote describing my world it says
The caterpillar is a prisoner to the streets that conceived it.
Its only job is to eat or consume everything around it.
Its only job is to eat or consume everything around it.
In order to protect itself from this mad city,
While consuming its environment,
While consuming its environment,
The caterpillar begins to notice ways to survive.
One thing it noticed is how much the world shuns him,
One thing it noticed is how much the world shuns him,
But praises the butterfly.
The butterfly represents the talent,
The butterfly represents the talent,
The thoughtfulness,
And the beauty within the caterpillar.
But having a harsh outlook on life,
But having a harsh outlook on life,
The caterpillar sees the butterfly as weak,
And figures out a way to pimp it to his own benefits.
Already surrounded by this mad city,
The caterpillar goes to work on the cocoon which institutionalizes him.
He can no longer see past his own thoughts.
He’s trapped.
When trapped inside these walls, certain ideas start to take roots,
Such as going home, and bringing back new concepts to this mad city
The result?
Wings begin to emerge, breaking the cycle of feeling stagnant.
Finally free, the butterfly sheds light on situations
That the caterpillar never considered, ending the eternal struggle.
Although the butterfly and caterpillar are completely different,
They are one and the same
And figures out a way to pimp it to his own benefits.
Already surrounded by this mad city,
The caterpillar goes to work on the cocoon which institutionalizes him.
He can no longer see past his own thoughts.
He’s trapped.
When trapped inside these walls, certain ideas start to take roots,
Such as going home, and bringing back new concepts to this mad city
The result?
Wings begin to emerge, breaking the cycle of feeling stagnant.
Finally free, the butterfly sheds light on situations
That the caterpillar never considered, ending the eternal struggle.
Although the butterfly and caterpillar are completely different,
They are one and the same
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