11 Sep: "Japan" by Billy Collins

Japan

Today I pass the time reading
a favorite haiku,
saying the few words over and over.


It feels like eating
the same small, perfect grape
again and again.


I walk through the house reciting it
and leave its letters falling
through the air of every room.


I stand by the big silence of the piano and say it.

I say it in front of a painting of the sea.

I tap out its rhythm on an empty shelf.


I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.


And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.


It's the one about the one-ton temple bell
with the moth sleeping on its surface,

and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.


When I say it at the window,
the bell is the world
and I am the moth resting there.


When I say it at the mirror,
I am the heavy bell
and the moth is life with its papery wings.


And later, when I say it to you in the dark,
you are the bell,
and I am the tongue of the bell, ringing you,

and the moth has flown
from its line
and moves like a hinge in the air above our bed.
by Billy Collins

1 comment:

  1. Billy Collins is always so refreshing to read. So literal, so simple and yet so refined. He describes a landscape, a story, a moment inside of his brain and outside of it by giving us a visual of the outline of his body walking gently around his house and mulling over, reliving the haiku. I love that the haiku is as simple as him...and yet the length of this poem needs more room to understand.

    My mom just sent me one of my old Billy Collins poetry books in the mail that was a gift from one of my clients in Boise, so you may be seeing more posts of his! :)

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