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31 Jan: "The Life of a Day" (by Tom Hennen)

The Life of a Day by Tom Hennen (a piece of prose poetry)

Like people or dogs, each day is unique and has its own personality quirks, which can easily be seen if you look closely. But there are so few days as compared to people, not to mention dogs, that it would be surprising if a day were not a hundred times more interesting than most people. Usually they just pass, mostly unnoticed, unless they are wildly nice, such as autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle. For some reason we want to see days pass, even though most of us claim we don’t want to reach our last one for a long time. We examine each day before us with barely a glance and say, no, this isn’t one I’ve been looking for, and wait in a bored sort of way for the next, when, we are convinced, our lives will start for real. Meanwhile, this day is going by perfectly well adjusted, as some days are, with the right amounts of sunlight and shade, and a light breeze perfumed from the mixture of fallen apples, corn stubble, dry oak leaves, and the faint odor of last night’s meandering skunk.

30 Jan: The Butterfly’s Dream BY HANNAH F. GOULD

A tulip, just opened, had offered to hold 
   A butterfly, gaudy and gay; 
And, rocked in a cradle of crimson and gold, 
   The careless young slumberer lay. 

For the butterfly slept, as such thoughtless ones will, 
   At ease, and reclining on flowers, 
If ever they study, ’t is how they may kill 
   The best of their mid-summer hours. 

And the butterfly dreamed, as is often the case 
   With indolent lovers of change, 
Who, keeping the body at ease in its place, 
   Give fancy permission to range. 

He dreamed that he saw, what he could but despise, 
   The swarm from a neighbouring hive; 
Which, having come out for their winter supplies, 
   Had made the whole garden alive. 

He looked with disgust, as the proud often do, 
   On the diligent movements of those, 
Who, keeping both present and future in view, 
   Improve every hour as it goes. 

As the brisk little alchymists passed to and fro, 
   With anger the butterfly swelled; 
And called them mechanics – a rabble too low 
   To come near the station he held. 

‘Away from my presence!’ said he, in his sleep, 
   ‘Ye humbled plebeians! nor dare 
Come here with your colorless winglets to sweep 
   The king of this brilliant parterre!’ 

He thought, at these words, that together they flew, 
   And, facing about, made a stand; 
And then, to a terrible army they grew, 
   And fenced him on every hand. 

Like hosts of huge giants, his numberless foes 
   Seemed spreading to measureless size: 
Their wings with a mighty expansion arose, 
   And stretched like a veil o’er the skies. 

Their eyes seemed like little volcanoes, for fire,—   
   Their hum, to a cannon-peal grown,— 
Farina to bullets was rolled in their ire, 
   And, he thought, hurled at him and his throne. 

He tried to cry quarter! his voice would not sound, 
   His head ached – his throne reeled and fell; 
His enemy cheered, as he came to the ground, 
   And cried, ‘King Papilio, farewell!’ 

His fall chased the vision – the sleeper awoke, 
   The wonderful dream to expound; 
The lightning’s bright flash from the thunder-cloud broke, 
   And hail-stones were rattling around. 

He’d slumbered so long, that now, over his head, 
   The tempest’s artillery rolled; 
The tulip was shattered – the whirl-blast had fled, 
   And borne off its crimson and gold. 

’T is said, for the fall and the pelting, combined 
   With suppressed ebullitions of pride, 
This vain son of summer no balsam could find, 
   But he crept under covert and died.

29 Jan: Mid-August at Sourdough Mountain Lookout BY GARY SNYDER

Mid-August at Sourdough Mountain Lookout

Down valley a smoke haze
Three days heat, after five days rain   
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read   
A few friends, but they are in cities.   
Drinking cold snow-water from a tin cup   
Looking down for miles
Through high still air.

28 Jan: At Noon BY REGINALD GIBBONS


The thick-walled room’s cave-darkness,
cool in summer, soothes
by saying, This is the truth, not the taut
cicada-strummed daylight.
Rest here, out of the flame—the thick air’s
stirred by the fan’s four
slow-moving spoons; under the house the stone
has its feet in deep water.
Outside, even the sun god, dressed in this life
as a lizard, abruptly rises
on stiff legs and descends blasé toward the shadows.

27 Jan: Country Summer BY LÉONIE ADAMS

Léonie Adams- educator, consultant, editor, and poet. Leonie Adams was best known for her lyric poetry reminiscent of both the Romantic and Metaphysical periods.
Now the rich cherry, whose sleek wood,
And top with silver petals traced
Like a strict box its gems encased,
Has spilt from out that cunning lid,
All in an innocent green round,
Those melting rubies which it hid;
With moss ripe-strawberry-encrusted,
So birds get half, and minds lapse merry
To taste that deep-red, lark’s-bite berry,
And blackcap bloom is yellow-dusted.

The wren that thieved it in the eaves
A trailer of the rose could catch
To her poor droopy sloven thatch,
And side by side with the wren’s brood—
O lovely time of beggar’s luck—
Opens the quaint and hairy bud;
And full and golden is the yield
Of cows that never have to house,
But all night nibble under boughs,
Or cool their sides in the moist field.

Into the rooms flow meadow airs,
The warm farm baking smell’s blown round.
Inside and out, and sky and ground
Are much the same; the wishing star,
Hesperus, kind and early born,
Is risen only finger-far;
All stars stand close in summer air,
And tremble, and look mild as amber;
When wicks are lighted in the chamber,
They are like stars which settled there.

Now straightening from the flowery hay,
Down the still light the mowers look,
Or turn, because their dreaming shook,
And they waked half to other days,
When left alone in the yellow stubble
The rusty-coated mare would graze.
Yet thick the lazy dreams are born,
Another thought can come to mind,
But like the shivering of the wind,
Morning and evening in the corn.

26 Jan: Daisy Time BY MARJORIE PICKTHALL


See, the grass is full of stars, 
Fallen in their brightness; 
Hearts they have of shining gold, 
Rays of shining whiteness. 

Buttercups have honeyed hearts, 
Bees they love the clover, 
But I love the daisies' dance 
All the meadow over. 

Blow, O blow, you happy winds, 
Singing summer's praises, 
Up the field and down the field 
A-dancing with the daisies.

25 Jan: "The Poet Contemplates the Nature of Reality" BY JILL BIALOSKY

The Poet Contemplates the Nature of Reality

On the side of the road a deer, frozen, frigid.
Go back to your life, the voice said.
What is my life? she wondered. For months she lost
herself in work—Freud said work is as important
as love to the soul—and at night she sat with a boy,
forcing him to practice his violin, helping him recite his notes.
Then the ice thawed and the deer came to life.
She saw her jump over the fence, she saw her in the twilight,
how free she looked. She saw her eyes shiny as marbles,
as much a part of this world as the fence a worker
pounds into the earth. At night she still sat with the boy.
He’s learning “Au Claire de la Lune.”
Do you know it? He has established a relationship
with his violin. He knows that it takes practice to master it:
the accuracy of each note, to wrestle his feelings to the listener.
But he’s impatient. Sometimes what he hears and feels
are not always the same. Again, the poet says.
She knows if he tries to silence his fervor, he might not ever know
who he is. The poet contemplates whether a deer can dream.
Rich blood-red berries on a branch, pachysandra in the garden.
A soft warm bed in the leaves.

24 Jan: Our Nature BY RAE ARMANTROUT


The very flatness 
of portraits
makes for nostalgia
in the connoisseur.
Here’s the latest
little lip of wave
to flatten
and spread thin.
Let’s say
it shows our recklessness,
our fast gun,
our self-consciousness
which was really
our infatuation
with our own fame,
our escapes,
the easy way
we’d blend in
with the peasantry,
our loyalty
to our old gang
from among whom
it was our nature
to be singled out

23 Jan: Study Nature BY GERTRUDE STEIN


I do.   
    Victim.
    Sales   
    Met   
    Wipe   
    Her   
    Less.
    Was a disappointment
    We say it.
                     Study nature.   
    Or
    Who   
    Towering.
    Mispronounced
    Spelling.
    She   
    Was   
    Astonishing
    To
    No   
    One   
    For   
    Fun
                     Study from nature.   
    I
    Am   
    Pleased
    Thoroughly
    I
    Am   
    Thoroughly
    Pleased.
    By.   
    It.
    It is very likely.
                     They said so.
    Oh.
    I want.   
    To do.
    What
    Is
    Later
    To
    Be
    Refined.
    By   
    Turning.
    Of turning around.
                     I will wait.

22 Jan: "Four in the Morning" by Wislawa Szymborska

The hour from night to day.
The hour from side to side.
The hour for those past thirty.

The hour swept clean to the crowing of cocks.
The hour when earth betrays us.
The hour when wind blows from extinguished stars.
The hour of and-what-if-nothing-remains-after-us.

The hollow hour.
Blank, empty.
The very pit of all other hours.

No one feels good at four in the morning.
If ants feel good at four in the morning
–three cheers for the ants. And let five o’clock come
if we’re to go on living.

21 Jan: " Meditation on Statistical Method " by J.V. Cunningham

Plato, despair!
We prove by norms
How numbers bear
Empiric forms,

How random wrong
Will average right
If time be long
And error slight,

But in our hearts
Hyperbole
Curves and departs
To infinity.

Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.

19 Jan: "This living hand, now warm and capable" by John Keats

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou would wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calm’d–see here it is–
I hold it towards you.

18 Jan: "The Brave Man" by Wallace Stevens

The Brave Man

The sun, that brave man,
Comes through boughs that lie in wait,
That brave man.

Green and gloomy eyes
In dark forms of the grass
Run away.

The good stars,
Pale helms and spiky spurs,
Run away.

Fears of my bed,
Fears of life and fears of death,
Run away.

That brave man comes up
From below and walks without meditation,
That brave man.

17 Jan: "From far, from eve and morning" by A.E. Housman

From yon twelve-winded sky,
The stuff of life to knit me
Blew hither; here am I.
Now — for a breath I tarry

Nor yet disperse apart —
Take my hand quick and tell me,
What have you in your heart.

Speak now, and I will answer;
How shall I help you, say;
Ere to the wind's twelve quarters
I take my endless way.

16 Jan: "Song of a Dream" by Sarojini Naidu

ONCE in the dream of a night I stood
Lone in the light of a magical wood,
Soul-deep in visions that poppy-like sprang;
And spirits of Truth were the birds that sang,
And spirits of Love were the stars that glowed,
And spirits of Peace were the streams that flowed
In that magical wood in the land of sleep.

Lone in the light of that magical grove,
I felt the stars of the spirits of Love
Gather and gleam round my delicate youth,
And I heard the song of the spirits of Truth;
To quench my longing I bent me low
By the streams of the spirits of Peace that flow
In that magical wood in the land of sleep.

14 Jan: "Alone and Drinking Under the Moon" by Li Po

Amongst the flowers I
am alone with my pot of wine
drinking by myself; then lifting
my cup I asked the moon
to drink with me, its reflection
and mine in the wine cup, just
the three of us; then I sigh
for the moon cannot drink,
and my shadow goes emptily along
with me never saying a word;
with no other friends here, I can
but use these two for company;
in the time of happiness, I
too must be happy with all
around me; I sit and sing
and it is as if the moon
accompanies me; then if I
dance, it is my shadow that
dances along with me; while
still not drunk, I am glad
to make the moon and my shadow
into friends, but then when
I have drunk too much, we
all part; yet these are
friends I can always count on
these who have no emotion
whatsoever; I hope that one day
we three will meet again,
deep in the Milky Way.

12 Jan: "The Garden" by Rae Armantrout

Check out this TED talk that discusses "The Garden."

Oleander: coral
from lipstick ads in the 50’s.

Fruit of the tree of such knowledge.

To “smack”
(thin air)
meaning kiss or hit.

It appears
in the guise of outworn usages
because we are bad?

Big masculine threat,
insinuating and slangy.

10 Jan: "Bob Nesta Marley, Siempre" by Alice Walker


Be what they do not want:
Be thoughtful.
Be skilled at loving.
Be of good heart.
Be of the world tribe.
Who torments
The sacred
Rest of us
Lacks confidence
In his own
Worthiness
To stand
Shameless
Even poor
And sing.

9 Jan: "I Will Keep Broken Things" by Alice Walker

I will keep broken
things:
the big clay pot
with raised iguanas
chasing their
tails; two
of their wise
heads sheared off;
I will keep broken things: the old slave market basket brought to
my door by Mississippi a jagged
hole gouged
in its sturdy dark
oak side.

I will keep broken things:
The memory of
those long delicious night swims with you;

I will keep broken things:

In my house
there remains an honored shelf
on which I will keep broken things.

Their beauty is
they need not ever be "fixed."

I will keep your wild
free laughter though it is now missing its
reassuring and
graceful hinge.
I will keep broken things:

Thank you
So much!


I will keep broken things.
I will keep you:
pilgrim of sorrow.
I will keep myself.

8 Jan: "Beverly’s Dancing Shack for Alice" by Alice Walker

Someone who knew me well
And that I’d lived
In many a gray shack
My mother transformed
With flowers
Took me to your house
To meet you:
To see the shacks
You rescued from our shame
And transformed with your wit,
Small nails, old boards,
And paint.
I was enchanted to see
My mother’s magic
Emerge
From the end
Of your brush.
Now you have left us.  The streaming
Light through all your shacks’
Cracks
Like the streaming genius
Of your own obsessed mind.
How do we make new
And restorative of soul
The old pain?  How do we learn
To carry with grace and humor
All that has happened to us?
Buchanan, for instance.  Whose name
Was that before it was slapped across
The memory of the enslaved?
Your ancestors
In Africa were not Buchanans
And may have been esteemed artists
Every one of them,
For all we know.
Ah, Beverly,
All of us in our age clan
Are in the homestretch now.
We will not be far behind you.
Trailing our chalk, our pencil sticks
With which we wrote and drew in the dirt,
Our paints made from berries, barks,
And tears.
With open hands
We have offered our art
Made from whatever scraps
Were left over from our destruction,
Their absence from
The big house table of greed and ignorance
Never missed.
This poem is to say how glad I am
To have the shack
You made for me.  Red as a strawberry!
I would never have thought of that; yet
How right it has turned out to be.
For I do not wallow in sadness
Though it visits more often these days
Than I would like;
The world is dying
In so many ugly ways
And humans with it.
And yet, against all odds
I realize
There will always be a Beverly Buchanan
Arising from a virtual “nowhere”
To cobble together the broken pieces
-Left over from the beauty
That is destroyed-
And paint them red
For dancing.

7 Jan: "Beyond" by Alice Walker


The old experienced ones
Never said
You must marry.
They never said
What will your husband think?
There was always so much
Work to do
Offering advice on this issue
Seems to have slipped their minds.
And so when I did marry,
A few times
By last count
I realized there was something
Called Marriage
That might happen
In a lifetime or in a flash:
But also
Something
Beyond it.
To grow toward,
To come
To understand
And know.
Not only about my beloved(s)
Who oftentimes distracted me
Sweetly, kindly, intelligently,
But about the cosmos
The stars
Tree roots
Tiny sea shells
The roiling waves
And the open door.

6 Jan: " In Late August" by Peter Campion


In a culvert by the airport
under crumbling slag
wine colored water seeps
to this pool the two does
drink from: each sipping as
the other keeps look out.
The skyline is a blur
of  barcode and microchip.
Even at home we hold
the narrowest purchase.
No arcs of tracer fire.
No caravans of fleeing
families. Only this
suspicion ripples
through our circles of lamp glow
(as you sweep the faint sweat
from your forehead and flip
another page in your novel)
this sense that all we own
is the invisible
web of our words and touches
silence and fabulation
all make believe and real
as the two does out
scavenging through rose hips
and shattered drywall:
their presence in the space
around them liveliest
just before they vanish.

5 Jan: "Because I could not stop for Death" by Emily Dickinson

Because I could not stop for Death – 
He kindly stopped for me –  
The Carriage held but just Ourselves –  
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility – 

We passed the School, where Children strove
At Recess – in the Ring –  
We passed the Fields of Gazing Grain –  
We passed the Setting Sun – 

Or rather – He passed us – 
The Dews drew quivering and chill – 
For only Gossamer, my Gown – 
My Tippet – only Tulle – 

We paused before a House that seemed
A Swelling of the Ground – 
The Roof was scarcely visible – 
The Cornice – in the Ground – 

Since then – ‘tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses’ Heads 
Were toward Eternity – 

3 Jan: "Passing Time" by Maya Angelou

Your skin like dawn
Mine like musk

One paints the beginning
of a certain end.

The other, the end of a
sure beginning.

2 Jan: "Ode to My Socks" by Pablo Neruda

(translated by Robert Bly)

Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fi
sh made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.

Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad im
pulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.

The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.

1 Jan: "The thief left it behind" by Ryokan


English version by Stephen Mitchell

The thief left it behind:
the moon
at my window.

31 Dec: [in Just-] by E. E. Cummings

in Just-
spring          when the world is mud-
luscious the little
lame balloonman

whistles          far          and wee

and eddieandbill come
running from marbles and
piracies and it's
spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far          and             wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and

it's
spring
and

         the

                  goat-footed

balloonMan          whistles
far
and
wee