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18 Aug: exceprt from the last part of "Lambda" by Melvin B. Tolson


Satchmo was Louis Armstrong's nickname.


King Oliver of New Orleans
has kicked the bucket, but he left behind
old Satchmo with his red-hot horn
to syncopate the heart and mind.
The honky-tonks in Storyville
have tuned to ashes, have turned to dust,
but old Satchmo is still around
like uncle Sam’s IN GOD WE TRUST


Where, oh, where is Bessie Smith
with her heart as big a the blues of truth?
Where, oh. where is Mister Jelly Roll
with his Cadillac and diamond tooth?
Where, oh, where is Papa Handy
with his blue notes a-dragging from bar to bar? 

Where, oh, where is bulletproof Leadbelly
with his tall tales and 12-string guitar?


Old Hip Cats,
when you sang and played the blues
the night Satchmo was born,
did you know hypodermic needles in Rome
couldn’t hoodoo him away from his horn?
Wyatt Earp’s legend, John Henry’s, too,
is a dare and a bet to old Satchmo
when his groovy blues put headlines in the news
from the Gold Coast to cold Moscow.


Old Satchmo’s
gravelly voice and tapping foot and crazy notes
set my soul on fire.
If I climbed
the seventy-seven steps of the Seventh
Heaven, Satchmo’s high C would carry me higher!
Are you hip to this, Harlem? Are you hip?
On Judgement Day, Gabriel will say
after he blows his horn:
“I’d be the greatest trumpeter in the Universe,
if old Satchmo had never been born!”

2 comments:

  1. This poem is of the same fire that the narrator speaks. What a fitting tribute! To express Satchmo's perfection in such a perfect way.

    I read this a few days ago when I found it and I liked it. But rereading out loud again now. Hit me really hard.

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    Replies
    1. The allusions to other musicians and legends builds to Satchmo's story and legacy nicely. And the musical descriptions had me grooving as I read the poem.

      Someone should make a trumpet instrumental for this poem!

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