16 Feb 2020: "Our Jim" BY CATHY PARK HONG


In this world hacked from marrowed dust,
the half-breed assassin slays
men before they breed to corps,
He belts his innard song.

He travels to a sapling town where
sawyers hew logs to songs of plovers,
and mansadors tame broncs of the blackest,
lustiest blood.

Soon the town blooms to terror,
and fades before it booms.
Ghosts weed out of bodies with their sharp
imagined hands.

A hobbled miner, delirious from the sun,
feels the shadow of his innard song,
and croaks: I’m a buck nun
failure anyway.

The half-breed leaves him be,
rides to a town of tents wooled with alfalfa
and glass-needled rain shatters
the dusted tundra.

15 Feb 2020: "Notorious" BY CATHY PARK HONG


After Paul Chan

Biggum Wallah, Biggum Wallah, why so glum?
You in heaven, na, be happy.
You are Hip Hop’s Grand Panjandrum in white foxy mink
snuggly over your Bluto belly,
& this fleet of white Cucci Gucci Hummers is for you, ji.
Like a short-order cook slinging hash browns,
you slinged so many rhymes propho-rapping you will die,
now faput. Dead. Why so chee?

Ayaya, you in heaven for white people.
Wrong ear-sucking heaven.
Heaven does stink like mothballs, bibbit & whatsit,
you smell wet dog?
Milksop chatty angels with their Binaca grins, twibble:
“No Hennessy just seltzer, please,”
before they sing your hits a capella.

Shataa, Baagad Bullya,
very last straw, this Angrez-propogandhi.
Silly as a cricket in pubes.

Biggum Wallah bringing up demands, yar.
A smashation of clouds part to reveal the uretic sun
and swatting away chweetie pie cupids,
looms Fatmouth God,
frowning like rotten turbot.

But Biggita is VIP, sold records in millions tens,
so God sighs, relents & the Kleenex sky
melts to Op Art swirls
of Cherry Coke red, burning upup

white magnolias into a chain-link planet of asphalt
& black cell phone towers.
This more like it, sepoys, all hoosh
& video girl boomba-lathis drinking lychee lassis.
But where is your number 1 rap rival nemesis?
Where is 2Packi?

14 Feb 2020: "Morning Sun" BY CATHY PARK HONG


Raised on a cozy diet of conditional love,
I learned to emoji from teevee.
Now I’m hounded by gripes before my time.
Twisted in my genome is this thorn,
               and all I see are feuds,
even swans got boxing gloves for heads.

— Ah Ketty-San, why so mori? Maybe you need upgrade
of person?

History shat on every household.
Cop cruisers wand their infrared along bludgeoned homes,
demanding boys to spread your cheeks,
               lift your sac —
Now, here’s an alcopop to dull that throb,
hide your ugly feelings.

I want to love, yes, yet afraid to love
since I will be slapped, yet
what’s this itch? A fire ant burning to a warring,
boiling froth of lust: Slap me, harder,
slap me again!

— Ketty-San, so Sado Masakumi, so much
Sodami Hari Kuri.

I sorry.

13 Feb 2020: "Ensor" BY CATHY PARK HONG

There, garland dandelions round that idol
with a corn husk face &  beard
patched with rat stubble from a barber’s dust pan,

parade float driven by a carriage pulled by a pig.
Two sticks knotted together,
cake frost on that crude wood to make it gilt.

There, spider cranks &  iron gyres,
blueberry stain glass sprout
like wings from coal burn cars,

a trumpet toots the sorrow of another boy dead,
there he is, limp on a gurney wrapped in gingham scrap,
there, he’s blast.

There, roofless houses,
sarong utopias balloon, balloon toward the sky,
while women beat, beat their skulls.

I trail behind, mop in hand,
sloshing scum water over memorials.
There he stares at my tic-torn cankered face,

&  begs for alms, his face horse rudder red.
A son, he huffs, it is a son I want.
I spit into them corned mitt hands.

12 Feb 2020: "The Man in the Glass" by Peter Dale Wimbrow


When you get what you want in your struggle for self
And the world makes you king for a day
Just go to the mirror and look at yourself
And see what that man has to say.

For it isn’t your father, or mother, or wife
Whose judgment upon you must pass
The fellow whose verdict counts most in your life
Is the one staring back from the glass.

He’s the fellow to please – never mind all the rest
For he’s with you, clear to the end
And you’ve passed your most difficult, dangerous test
If the man in the glass is your friend.

You may fool the whole world down the pathway of years
And get pats on the back as you pass
But your final reward will be heartache and tears
If you’ve cheated the man in the glass.

11 Feb 2020: "I have more respect for a man" by Malcolm X

I have more respect for a man 

who lets me know where he stands, 

even if he's wrong. Than the one 

who comes up like an angel 

and is nothing but a devil.

10 Feb 2020: "Chinese Silence No. 36" BY TIMOTHY YU


To make a Chinese poem in English we must allow the silence to creep in around the edges, to define the words the way the sky’s negative space in a painting defines the mountains.

—Tony Barnstone, “The Poem Behind the Poem”
To make a Japanese poem in English
we must allow the silence to creep up upon us
the way the ninja stalks and strangles
his unsuspecting victim.
 
To make an Indian poem in English
we must allow the waters of language to rise
and drown us like the Ganges until
we are reborn in a more accessible form.
 
To make a French poem in English
we must impale ourselves upon the Tour Eiffel
until our bloodcurdling screams evoke that sublime
je ne sais quoi.
 
To make a Spanish poem in English
we must let ourselves be gored by the charging bull
of poesy as we run like idiots through the streets
waving to our friends' cameras.
 
To make an American poem in English
we must level the mountains of language with dynamite
and in the rubble build an ethnic theme park
of charming accents and seething quiet.
 
To make an American poem Chinese
we must silence its creepy edges
and raise an iron-built mountain that mirrors
our own negation to us as if it were gold.

9 Feb 2020: "Things Chinese" BY ADRIENNE SU


Once, I tried to banish them all from my writing.
This was America, after all, where everyone’s at liberty
To remake her person, her place, or her poetry,
And I lived in a town a long way from everything—
Where discussions of “diversity”
Centered mainly on sexuality.
My policy, born of exhaustion with talk about race
And the quintessentially American wish for antecedents,
Eliminated most of my family, starting with the grandparents,
Two of whom stayed Chinese to their final days,
Two of whom were all but defined by their expertise
On the food of the country I was trying to excise.
It canceled out the expensive center
Of an intense undergraduate curriculum
And excluded the only foreign language I could talk in.
It wiped out my parents’ earliest years
And converted them to 1950s Georgians
Who’d always attended church and school, like anyone.
My father had never paused at two water fountains
And asked a white man which he should drink from,
And never told his children what the answer had been.
My mother had never arranged a migration,
Solo at seventeen, from Taipei to wherever,
But had simply appeared in Gainesville out of ether,

And nothing about their original languages
Had brought them together. Their children
Had never needed to explain to anyone
Why distinctness and mystery were not advantages
When they were not optional, and never wondered
If particular features had caused particular failures.
For months I couldn’t write anything decent
Because banned information kept trying to enter
Like bungled idioms in the speech of a foreigner.
I was my own totalitarian government,
An HMO that wouldn’t pay for a specialist,
And I was the dissident or patient who perished.
The hope was to transcend the profanity of being
Through the dissolution of description and story,
Which I thought might turn out to be secondary
To a semi-mystical state of unseeing,
But everywhere I went there was circumstance,
All of it strangely tainted by my very presence.

29 Jan 2020: "The Station" by Robert Hastings

Tucked away in our subconscious minds is an idyllic vision. We see ourselves on a long, long trip that almost spans the continent. We’re traveling by passenger train, and out the windows we drink in the passing scene of cars on nearby highways, of children waving at a crossing, of cattle grazing on a distant hillside, of smoke pouring from a power plant, of row upon row of corn and wheat, of flatlands and valleys, of mountains and rolling hills, of biting winter and blazing summer and cavorting spring and docile fall.
But uppermost in our minds is the final destination. On a certain day at a certain hour we will pull into the station. There sill be bands playing, and flags waving. And once we get there so many wonderful dreams will come true. So many wishes will be fulfilled and so many pieces of our lives finally will be neatly fitted together like a completed jigsaw puzzle. How restlessly we pace the aisles, damning the minutes for loitering … waiting, waiting, waiting, for the station.
However, sooner or later we must realize there is no one station, no one place to arrive at once and for all. The true joy of life is the trip. The station is only a dream. It constantly outdistances us.
“When we reach the station that will be it!” we cry. Translated it means, “When I’m 18, that will be it! When I buy a new 450 SL Mercedes Benz, that will be it! When I put the last kid through college, that will be it! When I have paid off the mortgage, that will be it! When I win a promotion, that will be it! When I reach the age of retirement, that will be it! I shall live happily ever after!”
Unfortunately, once we get it, then it disappears. The station somehow hides itself at the end of an endless track
“Relish the moment” is a good motto, especially when coupled with Psalm 118:24: “This is the day which the Lord hath made; we will rejoice and be glad in it.” It isn’t the burdens of today that drive men mad. Rather, it is regret over yesterday or fear of tomorrow. Regret and fear are twin thieves who would rob us of today.
So, stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more ice cream, go barefoot oftener, swim more rivers, watch more sunsets, laugh more and cry less. Life must be lived as we go along. The station will come soon enough.

28 Jan 2020: "Strange Fruit" by Abel Meeropol

“Strange Fruit”

Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swingin' in the Southern breeze
Strange fruit hangin' from the poplar trees

Pastoral scene of the gallant South
The bulgin' eyes and the twisted mouth
Scent of magnolias sweet and fresh
Then the sudden smell of burnin' flesh

Here is a fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for the tree to drop
Here is a strange and bitter crop