I don’t remember how it began.
The singing. Judy at the wheel
in the middles of Sentimental Journey.
The side of her face glowing.
Her lips moving. Beyond her shoulder
the little house sliding by.
and Geri. Her frizzy hair
in the wind wing’s breeze, fumbling
with the words. All of us singing
as loud as we can. Off key.
Not even a semblance of harmony.
Driving home in a blue Comet singing
I’ll Be Seeing You and Love Is a Rose.
The love songs of war. The war songs
of love. Mixing up verses, eras, words.
Songs from stupid musicals.
Coming in strong on the easy refrains.
Straining our middle-aged voices
trying to reach impossible notes,
reconstruct forgotten phrases.
Cole Porter’s Anything Goes.
Shamelessly la la la-ing
whole sections. Forgetting
the rent, the kids, the men,
the other woman. The sad goodbye.
The whole of children. Forgetting
the lost dog, Polio. The gret planes
pregnant with bombs. Fields
of white headstones. All of it gone
as we struggle to remember
the words. One of us picking up
where the others leave off. Intent
on the song. Forgetting our bodies,
their pitiful limbs, their heaviness.
Nothing but three throats
beating back the world–Laurie’s
radiation treatments. The scars
on Christina’s arms. Kim’s brother.
Molly’s grandfather. Jane’s sister.
Singing to the telephone poles
skimming by. Stoplights
blooming green. The road,
a glassy black river edged
with brilliant gilded weeds. The car
an immense boat cutting the air
into blue angelic plumes. Singing
Blue Moon and Paper Moon
and Mack the Knife, and Nobody Knows
the Trouble I’ve Seen.
The singing. Judy at the wheel
in the middles of Sentimental Journey.
The side of her face glowing.
Her lips moving. Beyond her shoulder
the little house sliding by.
and Geri. Her frizzy hair
in the wind wing’s breeze, fumbling
with the words. All of us singing
as loud as we can. Off key.
Not even a semblance of harmony.
Driving home in a blue Comet singing
I’ll Be Seeing You and Love Is a Rose.
The love songs of war. The war songs
of love. Mixing up verses, eras, words.
Songs from stupid musicals.
Coming in strong on the easy refrains.
Straining our middle-aged voices
trying to reach impossible notes,
reconstruct forgotten phrases.
Cole Porter’s Anything Goes.
Shamelessly la la la-ing
whole sections. Forgetting
the rent, the kids, the men,
the other woman. The sad goodbye.
The whole of children. Forgetting
the lost dog, Polio. The gret planes
pregnant with bombs. Fields
of white headstones. All of it gone
as we struggle to remember
the words. One of us picking up
where the others leave off. Intent
on the song. Forgetting our bodies,
their pitiful limbs, their heaviness.
Nothing but three throats
beating back the world–Laurie’s
radiation treatments. The scars
on Christina’s arms. Kim’s brother.
Molly’s grandfather. Jane’s sister.
Singing to the telephone poles
skimming by. Stoplights
blooming green. The road,
a glassy black river edged
with brilliant gilded weeds. The car
an immense boat cutting the air
into blue angelic plumes. Singing
Blue Moon and Paper Moon
and Mack the Knife, and Nobody Knows
the Trouble I’ve Seen.
Poem 004, Poetry 180 (note: Dorianne Lux was featured for a different poem #180 on website)
A song of remembrance inside of a woman's mind and day of freedom with her fellow women, friends. Maybe types of thoughts that get freed once we spout them out and share them with our closest friends who can relate. The beauty of the present moment, the wind metaphors, within the memories are brilliant. The idea of memories making us more present is interesting...or maybe the presence of the day surfacing memories just as they are.
ReplyDeleteThere doesn't seem to be the judgement in this poem and that is wonderful. Stating life as it has been, as it is. All of the friends and women share hard times and married lives and children in their past. They know nothing of what it is like to be in each other's heads, but exactly what it is like to be human going through similar circumstances.
Reminds me of the boys night ride poem with the songs we read recently!
"Reconstructing forgotten phrases" they are being girls again. Before adult life got the best of them. I agree with the similarities of the other peom, but I like this one a lot better. The opening line, "I don't remember." It doesn't matter what really happened because this is how the narrator remembers that awesome day
ReplyDeleteThe rizz is outmached
ReplyDeleteglaze
Deletejust oil up already 😭🙏
Delete